That could be the name of a spell. But it's also the title of a post on 50 watts.com about German painter and woodcut-engraver Otto Wirsching (1889-1919) featuring a series of Totentanz pictures he created.
Whose woods these are I think I know, his house is in the village, though...
I couldn't help manhandling the great Wirsching's work, which, like Robert Frost's Stopping By Woods on a Snowy Evening, is public domain now.
Which cover for my upcoming revamp of The Lost Lush is best?
Which imparts a better "urban picaresque" (badass term to describe the adventures I like best,
coined by Tom of Fear of a Black Dragon podcast - apparently he's a
British expat in Hong Kong who speaks Portuguese, lived in Brazil, and
is a capoeira enthusiast) tone?
Even if it is misleadingly too dark and not comic enough, is it just too awesome to pass up as a cover?
I'm trying to channel David A. Trampier, who kicks Larry Elmore's tuchus 1000 ways to Sunday.
This is one of the older ones I made (using work from a MUCH older, even MORE public domain artist) which commenting folks liked, due to the black background:
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